THE CONTEMPORARY PRINT IN IRELAND 

September 9 - November 12

THE CONTEMPORARY PRINT IN IRELAND surveys recent work by some of the leading print artists working in the Republic of Ireland.  The exhibition, organized by Guest Curator, Doug Biden, Fine Arts Professor at Okanagan University College, includes works by twenty-two artists from Dublin, Cork and Galway.  The artists range from senior, nationally recognized figures, Art Institute Professors to young, emerging printmakers. The diversity of printmaking mediums is shown: etchings, monoprints, screen, relief and carborundum prints. 

Siobhan Piercy

I was still (momentarily) in my argument with a life without contradiction.

screen print

76 x 112 cm

Dublin’s two print workshops are represented with works in this exhibition.  Black Church Studio is a recent co-op development situated in the frenetic Temple Bar area of the city, overlooking the River Liffey.  Graphic Studio, by contrast, was established in the 1960s, by founding print artist Patrick Hickey.  It is situated on the riverside quay, an industrial area out of Dublin Center. Under its Visiting Artists program, artists who specialize in media other than print are invited to make an edition of prints with the assistance of a master printer.  Exhibitions are held at the Workshop’s Studio Gallery, established in 1988.  In addition, there are works from the Cork Printmaker’s Cooperative, based in a new facility in Cork City, and two works from the Galway Regional Technical College. 

Sue Cunlifee

Elasticated Promenade

Lino/collograph

76 x 58 cm

The works selected by Doug Biden do not necessarily speak of “Irishness”, but of artists who working in a contemporary visual language, in a culture widely known for its sung, spoken and written word.  As Dr. Slavaka Sverakova wrote in 1993 (Research Fellow at the University of Ulster in Belfast), “Having nationality includes sharing a place and a language, having a home, and having people one loves in that place.  Art can work with ideas of nation, of nationality, of nationalism, but not in any clear or predictable way.”

Joy Gerrard

Golden Circle

intaglio

102 x 71 cm

Biden writes, “As Ireland continues the economic surge begun in the 1990s, a kind of renaissance and diversity in its cultural life has taken flight.  This exhibition reflects not just the contemporary nature of the print and its concern about change, but also a recognition of the traditional print and its roots in the past.” 

Alice Maher

Coma Bernices II

intaglio

74 x 64 cm

[CLICK HERE] to view the complete Curatorial Essay by Doug Biden

Installation Photo

 

THE CONTEMPORARY PRINT IN IRELAND is made possible with Grant in Aid funding from Okanagan University College.

[Back]

 

Copyright © 1999 - 2007 KELOWNA ART GALLERY