Artist
Monika Napier investigates the overlooked accoutrements of everyday
living. In mad, mad, mad, mad world,
she has hyperbolized the physical properties of extension cords, erased
their utilitarian qualities and transformed them into quizzical objects.
Look how the orange cords have been coiled into slouching, leaden nests,
or how the blue cords have the feel of an invasive vine, or how easily the
huge braided yellow cord leads us simultaneously into fable and economic
critique. Napier’s work recharges speculation, and invites us to
reconsider the spatial qualities of technology and our firmly held values
of consumption and material entitlement. Monika Napier welcomes us into a
pleasurably unsettling place, our
place, a mad, mad, mad, mad world.
Napier
handles a broad range of media with astonishing technical skill. Her
installations and objects are shaped by a carefully configured conceptual
framework. The resulting imagery is exquisite, pernickety, and persists
vividly in memory and imagination.
Monika
Napier received a BFA from Concordia University in Montreal in 1988, a
Diploma from the Emily Carr College of Art and Design in Vancouver in 1992
and a MFA from the Nova Scotia College of Art and Design in Halifax in
1998. Monika Napier has exhibited her work in solo and group exhibitions
nationally and internationally for the past twelve years. She has taught
at the University of Saskatchewan and the Nova Scotia College of Art and
Design. Monika Napier lives and works in Montreal.
Helen
Marzolf and Brenda Barry Byrne
Curators
This
exhibition is circulated by the Kenderdine Art Gallery at the University
of Saskatchewan. The
Kenderdine Art Gallery acknowledges financial support from the University
of Saskatchewan, the Kenderdine Beamish Trust, publishing partner the Art
Gallery of Prince Albert, USTEP, Young Canada Works, Museums Association
of Saskatchewan, The Canada Council for the Arts, RONA and Apex Graphics.
The Saskatchewan Arts Board and The Canada Council for the Arts supported
Monika Napier in the production of this body of work.