Greg Staats: auto-mnemonic six nations
July 19 - October 26, 2008
Toronto-based artist Greg
Staats works with photo-based media, including traditional photography and
more recently, video. Born in Ohsweken, Ontario, Staats, a Mohawk, is a
member of the Six Nations of Ontario’s Grand River Territory (the
location of his birthplace) in southern Ontario. He has lived and worked
in Toronto since 1985.
In his moving and beautiful
works in both image and sound in this exhibition, Staats creates a mood
and tone that are remarkable for their subtle power. Exploring themes of
memory, loss, and the complexity of his own bi-cultural heritage, the
artist uses fairly simple and straightforward-looking images that are
important as signifiers as well as in and of themselves. To attempt to
describe this installation by listing its components: four recent short
videos (red oak condolence, when I left, wave, and what
remains) and six black-and-white photographs from 2006 (titled
collectively auto-mnemonic six nations) does not begin to give a
preview of the visitor’s experience of the work. To describe some of the
images: for example, the six photographs are of three natural elements:
trees and branches from the artist’s childhood home, and three built
forms: plywood covering a burnt church, an old wooden folding chair, and a
stone tower, gets us no closer to the essential meaning(s) of his work.
For in fact, Staats’ work demands a "slow" experience, that
is, time spent looking at, reacting to, and thinking about his work. Much
of the artist’s process has been a journey of research, observation, and
thought, and the viewer must undergo something of the same process to
penetrate to the heart of his art.
Staats’ initial impetus for
this series of videos and photographs was his discovery of audiotapes from
the 1960s that had been in the possession of his grandfather. These tapes
are of hymns being sung in Mohawk harmony by three men, accompanied by the
artist’s paternal grandmother, all of whom lived on the Six Nations
Reserve. Staats moved in ever-widening circles from these tapes, to pull
in images and found texts as well. He writes: "Drawing on an approach
that combines language, architecture, photography, and landscape, I have
developed works around the notions of animose (full of spirit), errance
(wandering with purpose), and the performative aspect of objects,
repetition (ceremonies) and traces."
Staats has exhibited his work widely, both
in Canada and abroad, and his projects have received a great deal of
favourable critical reception. The Kelowna Art Gallery is proud to present
this work, and we are pleased the artist will be joining us for an opening
reception with related programs this coming fall.